Rezensionen:
C. Bishop (Rezensent):
"Artificial Hells: Participatory Art and the Politics of Spectatorship";
Gruppen-Rezension über C Hohenbüchler, I. Hohenbüchler;
Artificial Hells: Participatory Art and the Politics of Spectatorship,
12.06.2012,
S. 201
- 202.
Kurzfassung deutsch:
Claire Bishop is on a mission to re-scribe readings of participatory/collaborative/socially engaged/relational/dialogic art beyond moral interpretations. Her agenda hasnīt changed since her 2004 October article where she challenged Nicolas Bourriaudīs aggrandizing claims for relational aesthetics. From this polarizing start she has been unrelenting in her push for a more sober take on the participatory art forms currently trending.
Kurzfassung englisch:
Claire Bishop is on a mission to re-scribe readings of participatory/collaborative/socially engaged/relational/dialogic art beyond moral interpretations. Her agenda hasnīt changed since her 2004 October article where she challenged Nicolas Bourriaudīs aggrandizing claims for relational aesthetics. From this polarizing start she has been unrelenting in her push for a more sober take on the participatory art forms currently trending.
Schlagworte:
participatory/collaborative/socially engaged/relational/dialogic art
Elektronische Version der Publikation:
http://publik.tuwien.ac.at/files/PubDat_216311.jpg
Erstellt aus der Publikationsdatenbank der Technischen Universität Wien.